Balken, Debra Bricker, Philip Guston, Bill Berkson, and American Federation of Arts. 1994. Philip Guston’s Poem-Pictures. Seattle, United States of America: University of Washington Press.
Barcan, Ruth. 2004. Nudity: A Cultural Anatomy. Vol. Dress, body, culture. Oxford, UK: Berg.
Barcsay, Jeno, and Barnabas Somogyi. 1973. Anatomy for the Artist. London: Octopus Books.
Berry, William A. 1986. Drawing the Human Form: Methods, Sources, Concepts : A Guide to Drawing from Life. New York: Prentice Hall.
Betti, Claudia, and Teel Sale. 1992. Drawing: A Contemporary Approach. 3rd ed. Fort Worth, United States of America: Harcourt Brace Jovanovich College Publishers.
Bostrom, Leslie, and Marlene Malik. 1999. ‘Re-Viewing the Nude’. Art Journal 58 (1): 42–48. https://doi.org/10.2307/777880.
Bourgeois, Louise, Lawrence Rinder, University Art Museum and Pacific Film Archive, and Drawing Center (New York, N.Y.). 1995. Louise Bourgeois: Drawings & Observations. 1st ed. Berkeley: University Art Museum and Pacific Film Archive, University of California, Berkeley.
Breazeale, William. 2008. The Language of the Nude: Four Centuries of Drawing the Human Body. Aldershot [England]: Lund Humphries.
Chaet, Bernard. 1983. The Art of Drawing. 3rd ed. New York, United States of America: Holt, Rinehart and Winston.
Davie, Alan. 1997. Alan Davie: Drawings. [Edinburgh, Scotland]: Scottish National Gallery of Modern Art.
De Sausmarez, Maurice. 2002a. Basic Design: The Dynamics of Visual Form. 2nd rev. ed. London: A. & C. Black.
———. 2002b. Basic Design: The Dynamics of Visual Form. 2nd rev. ed. London: A. & C. Black.
Dubery, Fred, Fred Dubery, and John Willats. 1983. Perspective and Other Drawing Systems. Rev. ed. London: Herbert Press.
Elizabeth Hollander. 1991. ‘Subject Matter: Models for Different Media’. Representations, no. 36: 133–46. http://libraryproxy.griffith.edu.au/login?url=http://www.jstor.org/stable/2928635?seq=1#page_scan_tab_contents.
Goldstein, Nathan. 2006. The Art of Responsive Drawing. 6th ed. Upper Saddle River, United States of America: Pearson Prentice Hall.
———. 2011. Figure Drawing: The Structure, Anatomy, and Expressive Design of Human Form. 7th ed. Upper Saddle River, United States of America: Pearson Education.
Hollander, Elizabeth. n.d. ‘Working Models’. Art in America 79: 152–55.
Hudson, Tom, Bernard Motut, and Emily Carr College of Art and Design. 1989a. ‘Forms in Nature’. Videorecording. [Canada]: Emily Carr College of Art and Design.
———. 1989b. ‘Individual Directions’. Videorecording. [Canada]: Emily Carr College of Art and Design.
———. 1989c. ‘Language: Plane and Shape’. Videorecording. [Canada]: Emily Carr College of Art and Design.
———. 1989d. ‘Language: Point and Line’. Videorecording. [Canada]: Emily Carr College of Art and Design.
———. 1989e. ‘The Human Image: The Concept’. Videorecording. [Canada]: Emily Carr College of Art and Design.
———. 1989f. ‘The Human Image: The Figure’. Videorecording. [Canada]: Emily Carr College of Art and Design.
———. 1989g. ‘The World of Information’. Videorecording. [Canada]: Emily Carr College of Art and Design.
———. 1989h. ‘The World of Objects’. Videorecording. [Canada]: Emily Carr College of Art and Design.
Kaupelis, Robert. 1980. Experimental Drawing. New York: Watson-Guptill Publications.
Klee, Paul, and Jurg Spiller. 1961. Paul Klee: The Thinking Eye : The Notebooks of Paul Klee. Vol. The documents of modern art. New York: G. Wittenborn.
Laning, Edward. 1971. The Act of Drawing. Newton Abbot: David and Charles.
Lewitt, Sol. 1993. Sol Lewitt, Twenty-Five Years of Wall Drawings, 1968-1993: January 15 - April 15, 1993, Public Viewing of the Drawings in Progress : April 16 - June 13, 1993, Public Viewing of the Completed Exhibition. Seattle, United States of America: University of Washington Press.
Luckhardt, Ulrich, David Hockney, and Paul Melia. 1996. David Hockney: A Drawing Retrospective. San Francisco, Calif: Chronicle Books.
Mayhew, Margaret. 2012. ‘Marking Time; Examining Life Drawing as Methexis’. http://artsonline.monash.edu.au/performance/files/2012/09/proceedings-mayhew-marking-time-ttp-conference1.pdf.
———. n.d. ‘The Naked and the Blind; Exploring the Badness of Life Drawing’. TRACEY. http://www.lboro.ac.uk/microsites/sota/tracey/journal/wigd/images/Margaret_Mayhew.pdf.
McIntyre, Arthur. 1988. Australian Contemporary Drawing: Resurgence and Redefinition. Bowen Hills, Qld: Boolarong Publications.
Mendelowitz, Daniel M. 1980. Drawing. Stanford, United States of America: Stanford University Press.
Monnier, Geneviève, and Bernice Rose. 1979. Drawing. Geneva, Switzerland: Skira.
Motut, Bernard, Tom Hudson, and Emily Carr College of Art and Design. 1989. ‘Material and Action’. Videorecording. [Canada]: Emily Carr College of Art and Design.
Nicolaides, Kimon. 1972. The Natural Way to Draw: A Working Plan for Art Study. London: Deutsch.
Petherbridge, Deanna. 2005. ‘On Models and Mickey Mouse’. International Journal of Art & Design Education 24 (2): 126–37. https://doi.org/10.1111/j.1476-8070.2005.00433.x.
———. 2010. The Primacy of Drawing: Histories and Theories of Practice. New Haven, United States of America: Yale University Press.
Phillips, Lisa, Terry Winters, and Klaus Kertess. 1992. Terry Winters. New York, N.Y.: Whitney Museum of American Art.
Prenzel, Rudolf. 1982. Bauzeichnung Und Darstellungstechnik =: Working and Design Drawings = Dessin d’architecture et Technique de Representation. 2nd ed. Stuttgart, Germany: Karl Kramer.
Purser, Stuart R. 1976. The Drawing Handbook. Worcester, United States of America: Davis Publications.
Rawson, Philip. 1983. The Art of Drawing: An Instructional Guide. London, United Kingdom: Macdonald.
Rawson, Philip and British Broadcasting Corporation. 1979. Seeing through Drawing. London: British Broadcasting Corporation.
Rawson, Philip S. 1969. Drawing. London, United Kingdom: Oxford University Press.
Raynes, John. 2005a. Figure Drawing & Anatomy for the Artist. London: Bounty Books.
———. 2005b. Figure Drawing & Anatomy for the Artist. London: Bounty Books.
Rosand, David. 2002. Drawing Acts: Studies in Graphic Expression and Representation. Cambridge, U.K.: Cambridge University Press.
Röttger, Ernst, and Dieter Klante. 1964. Creative Drawing, Point and Line. London, United Kingdom: Batsford.
Simmons, Seymour, and Marc S. A. Winer. 1977. Drawing: The Creative Process. Englewood Cliffs, United States of America: Prentice-Hall.
Simpson, Ian. 1992. Drawing: Seeing and Observation. Rev ed. [ie 3rd ed.]. London: Black.
Simpson, Ian, and Lawrence Wood. 1997. The Encyclopedia of Drawing Techniques. Roseville, N.S.W.: Simon & Schuster.
Thorson, Victoria, ed. 1979. Great Drawings of All Time: The Twentieth Century. Redding, United States of America: Talisman Books.
Wagner, Judy K. Collischan van. 1989. Lines of Vision: Drawings by Contemporary Women. New York, United States of America: Hudson Hills Press.